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Change quantity Add to basket. Händel: Neun Deutsche Arien. Composer: Handel Editor: Burrows, Donald. Usually despatched in 5 - 7 working days.
Handel: 9 German Arias HWV Georg Friedrich Händel: Nine German Arias. Out of stock at the UK distributor You may order it now but please be aware that it may be six weeks or more before it can be despatched.
Arrangement: Vocal and Instruments Edition Information: score with 2 parts Edition Type: Score and Parts Publisher: Carus Verlag Catalogue Number: CV Usually despatched in 6 - 8 working days.
Handel: 9 German Arias. Arrangement: Soprano Voice, Violin and Basso Continuo Edition Information: CD: Solovioline und Continuobegleitung zm Sologesang Publisher: Music Partner Catalogue Number: MP Date Published: 12th Apr Return to main site.
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Download as PDF Printable version. Wikimedia Commons. Oper am Gänsemarkt , Hamburg. Friedrich Christian Feustking , after G.
Teatro San Giovanni Grisostomo , Venice. Queen's Theatre , London. Il pastor fido. Giacomo Rossi, after Guarini. The version is 8a. The revised versions are designated 8c.
The prologue Terpsicore added to the final version is 8b. Nicola Francesco Haym , after Philippe Quinault. Giacomo Rossi, after Plutarch.
King's Theatre , London. Rossi or Haym? Paolo Antonio Rolli, after Silvio Stampiglia. Rolli, after Francesco Silvani La costanza in trionfo.
Haym, after Agostin Piovene and Nicholas Pradon. Haym, after Antonio Salvi, after Pierre Corneille. Haym, after Metastasio. Haym, adapted from Carlo Sigismondo Capece.
After J. After Capece, after Ludovico Ariosto 's Orlando furioso. Pasticcio , composed in Music entirely by Handel.
Overture published in HG volume 48 p. After Salvi, after Ariosto's Orlando Furioso. After Ariosto's Orlando Furioso.
Adapted from Pariati's Giustino , after Nicolo Beregan's Il Giustino. Adapted from Apostolo Zeno 's Faramondo.
Pasticcio, composed in Theatre in Lincoln's Inn Fields , London. After Stampiglia's Imeneo. Instrumental music for the revival of Ben Jonson's play The Alchemist.
An arrangement, by an anonymous composer, of music from Handel's opera Rodrigo. Three songs and a trio written as part of a private arrangement of John Milton's masque Comus.
A masque which was written for an unproduced play by Tobias Smollett. Music composed between December and January Drury Lane Theatre , London.
Sung by Mrs. Kitty Clive at her benefit performance of William Congreve's The Way of the World Act III. Music composed in London, Il trionfo del Tempo e del Disinganno.
Carlo Sigismondo Capece. Brockes Passion. Hamburg Cathedral possibly. Barthold Heinrich Brockes. Based on Alexander Pope 's work.
Based on Alexander Pope's work. Sheldonian Theatre , Oxford. L'Allegro, il Penseroso ed il Moderato. Based on John Milton 's work.
Joseph and his Brethren. Judas Maccabaeus. The Choice of Hercules. The Triumph of Time and Truth. Aci, Galatea e Polifemo.
Acis and Galatea masque. Cannons , near London. Parnasso in Festa. Ode for the Birthday of Queen Anne. Alexander's Feast. Ode for St. Copied for Francesco Ruspoli , Allor ch'io dissi addio.
Aure soavi e lieti. Variant insertion in "Cecilia, volgi un sguardo" 89 , for performances of Alexander's Feast HWV 75 , , including music for the castrato Domenico Annibali.
Clori, Tirsi e Fileno or Cor fedele in vano speri. Rome, on or before 14 January Cardinal Pamphili 's palazzo. Del bell'idolo mio.
Libretto by Cardinal Benedetto Pamphili. Possibly composed in Hanover, Recitative and aria; probably a discarded fragment for "Alexander's Feast" HWV 75 , It appeared in the cantata HWV Italy, July — September .
O lucenti, o sereni occhi. Ero e Leandro or Qual ti riveggio, oh Dio. Tra le fiamme Il consiglio. Un' alma innamorata. First movement reappeared 2 years later in the Utrecht Jubilate HWV as "Be ye sure that Lord he is God.
Slow middle section formed the basis for the final chorus of "Alcina" HWV 34 in The 2nd movement, "Nodi voi" can be found later in the Opus 1 sonatas and also in the concerti grossi as well as various operas and oratorios.
The opening theme also appears in "Belshazzar" HWV 61 as well as the Concerto a due cori No. Theme of the 2nd movement later appeared as "Thou hast prevented him" in the Coronation Anthem, "The King shall rejoice" HWV Thematic ideas from 2 movements used in "Messiah" HWV Thematic idea from 1st movement used in "Messiah" HWV 56 as the duet, "Oh death, where is thy sting.
Libretto by Francesco de Lemene which appears under the title "Amor dorme" in his "Poesie Diverse. From scourging rebellion or A Song on the Victory obtained over the Rebels by His Royal Highness the Duke of Cumberland.
First performance: Sung by Thomas Lowe at Vauxhall Gardens, 15 May Composed to celebrate the Duke of Cumberland's defeat of the Jacobite forces at Culloden on 16 April First performance: 28 February London, Drury Lane Theatre.
Published: Sung by Catherine "Kitty" Clive in James Miller's comedy, "The Universal Passions" Act II. Published as "A Song made for the Gentlemen Volunteers of the City of London" First performance: 23 February London, Drury Lane Theatre.
Incidental music; sung in Gay's "The Beggar's Opera" - Lucy's song XXVIII "How Cruel are the Traytors," probably sung in John Gay's "Comic Tragick Pastoral Farce" or The What D'Ye Call It , Act II.
First performance:? Misattributed to Handel; composed by Giovanni Battista Ferrandini — Dixit Dominus represents Handel's earliest dated autograph, and it is the earliest surviving autograph from his large-scale compositions.
Probably written for services held at the church of S. Maria di Monte Santo to celebrate the feast day of "Madonna del Carmine".
Laudate pueri dominum in F major is Handel's earliest surviving autograph. Might have been composed in Halle, Rome, 13 July Probably written for a grand Vespers service held at the church of S.
Maria di Monte Santo in Rome, the feast day of "Our Lady of Mount Carmel". The fugal theme is originally found in Antonio Lotti 's Missa Sapientiae.
Rome, May — June Probably first performed on Trinity Sunday at Francesco Ruspoli 's private chapel. London, c.
Maria di Monte Santo to celebrate the feast day of "Our Lady of Mount Carmel". Cannons , — Lawrence, Whitchurch , London. Chandos Anthem No.
Also considered a Canticle. Opening theme originally found in "Laudate Pueri" HWV , which itself borrowed the theme from A. Lotti's Missa Sapientia.
Cannons, — Transcribed for orchestra by Edward Elgar in as the Overture in D minor , and by Stokowski in Partly based on "O sing unto the Lord a new song" HWV a.
The overture was later reused in Handel's oboe concerto No. Two movements added later. As pants the hart.
Orchestrated version of HWV a. Scored for organ and basso continuo alone. There is no evidence that the work was performed during Handel's lifetime.
Partly derived from the "Te Deum in D" HWV The trio "Thou rulest the raging sea" performed at Cannons but probably spurious; possibly composed by Johann Christoph Pepusch or Nicola Francesco Haym instead.
Psalms , , in metrical versions of Nahum Tate and Nicolas Brady's "New Version of the Psalms" Misattributed to Handel in Arnold's edition and in HG By Maurice Greene, before Coronation Anthem No.
For the Coronation of King George II and Queen Caroline. Performed at the Anointing. Let Thy Hand Be Strengthened. Sung at the Recognition the King being presented to the people.
The King Shall Rejoice. Should have been sung at the Recognition, but instead it was performed at the Crowning.
My Heart is Inditing. Performed during the coronation of the Queen. This is the day which the Lord hath made or Anthem for Wedding of Princess Anne.
Sing unto God or Anthem for Wedding of Prince Frederick. For the wedding of Frederick, Prince of Wales, and Princess Augusta of Saxe-Coburg.
Revised for the wedding of Princess Mary. The ways of Zion do mourn or Funeral Anthem for Queen Caroline. Probably first performed fully choral without solo movements.